The Mariinsky Theatre was founded in 1783 following a decree by Empress Catherine the Great to stage the first Russian comic operas and the best works by foreign composers.
The current theatre was built on a site that had been a circus, opposite the Italian Bolshoi Theatre in Carousel Square. Today this area is known as Theatre Square, and the Italian opera house has long ago made way for the famous St. Petersburg Conservatory, named after Rimsky-Korsakov who taught there for nearly 40 years.Designed by the architect Caves, the theatre, opened in 1860, was named for Maria, wife of the reigning Tsar Alexander II.Known during the Soviet era as the Kirov, after a Russian revolutionary leader, the theatre has regained its original imperial title: the Mariinsky.The opening of the Mariinsky Theatre heralded a golden period in St Petersburg's operatic history. There, in 1862, Verdi's La forza del destino received its world premiere, in the presence of the composer. Many Western works, translated into Russian,
quickly found their way onto the Mariinsky stage and, at the same time, the flourishing of Russian opera led to the premieres of such national masterpieces as Boris Godunov (1874), Prince lgor (1890), and The Queen of Spades (1890).
In 1869 the Czech-born conductor Eduard Napravnik became chief conductor, a post he held until his death 47 years later. During this period he conducted almost all the premieres in the Mariiinsky and raised it to a position among the world's leading opera houses. Western composers such as Wagner, Mahler amd Berlioz came to the theatre, and sections of The Ring and Tristan were performed by the Mariinsky's orchestra before they were heard in Bayreuth. At this time, the ballet was equally distinguished under its director Marius Petipa. In the 1890s its premieres of Sleeping Beauty, Swan Lake, and Raymonda influenced the development of classical dance.
At the beginning of this century such legendary artists as Chaliapin, Pavlova and Nijinsky performed at the theatre, and productions were designed by Russia's leading artists, including Korovin, Golovin, Bakst, Benois and Vasnetsov. During the I920s the young Soviet regime was still open to new artistic developments: in 1927 Wozzeck was performed at the State Academic Theatre (as the Mariinsky was then known), 25 yeats before its British premiere at Covent Garden. In recent years, foreign tours have brought both the Kirov Opera and Ballet to international recognition and acclaim.
In 1988 Valery Gergiev was appointed Artistic Director of the Kirov Opera. In his first season the theatre presented a festival of five Musorgsky operas, including Khovanshchina, which was televised throughout the Soviet Union and Europe. Part of this series was taken to the Edinburgh International Festival in 1991.
The theatre celebrated Prokofiev's centenary in 1991 with new productions of The Gambler, War and Peace (broadcast live to Britain by the BBC), Love for Three Oranges, and Fiery Angel. In February 1994 the Kirov Opera commemorated the 150th anniversary ofRimsky-Korsakov s birth with a festival of concerts, the operas Sadko, Maid of Pskov, Kashchei the Immortal, and The Legend of the Invisible City of Kitezh.
In April 1990 Gergiev and the Kirov Opera presented Andrei Tarkovsky's Boris Godunov, originally created for Covent Garden. The live broadcast to Britain from the Mariinsky Theatre was the first transmission of its kind from St Petersburg. In April 1992 the Kirov Opera and Ballet gave a gala at the Royal Opera House in the presence of HRH The Princess of Wales.
Entitled Welcome Back, St Petersburg, the gala was broadcast by the BBC and released on video. In recent years the Kirov Opera has toured worldwide, performing in England, Finland, France, Germany, Holland, Israel, Italy, Japan, Korea, Scotland, Spain and America. It made its US debut at the Metropolitan Opera House in 1992. Gergiev and the Mariinsky Orchestra have subsequently given two acclaimed American tours. The full Kirov Opera visited Japan for the first time in 1993, giving a series of concerts and stage performances of Fiery Angel, Boris Godunov, and The Queen of Spades. This autumn they return to Japan for an extensive orchestral tour. In 1994 the Kirov Opera made its Paris debut with a three-week residency at the Theatre des Champs-Elysees.
The company returns to the Champs-Elysees in February 1996 for performances of The Gambler and Prince lgor. Last year the Kirov Opera gave an acclaimed performance at the Barbican Hall, presented by Friends of the Kirov Opera, and last August they appeared at the Edinburgh lnternational Festival and Birmingham's Symphony Hall.
The Kirov Opera has an extensive recording schedule with Philips Classics, and releases so far include Khovanshchina, War and Peace, The Queen of Spades, Sadko, Prince lgor, and Fiery Angel. Future releases will include Iolanta, Ruslan and Ludmila, Maid of Pskov, Kashchei the Immortal, and Kitezh. Video releases include Khovanshchina, War and Peace, The Queen of Spades, and Sadko.
In 1992 Placido Domingo made his Kirov debut in Otello at the Santander Festival. This was repeated at the Mariinsky Theatre and broadcast on television throughout the CIS. Plans are being discussed for further performances by Domingo at the Mariinsky.
In St Petersburg, the Mariinsky Theatre is the centerpiece of the famous White Nights Festival, held annually during the last ten days of June. The 1995 festival included the Mariinsky Theatre's first production of Shostakovich's Katerina Izmailova, Aida in an historic production from La Scala, and a new Salome directed by June Taymor. The festival also paid tribute to the early Russian works of Igor Stravinsky, with new stagings of Mavra and and Le Rossignol and several concerts including Rite of Spring, The Firebird and Les Noces.
During the 1995-96 season, new productions will include Carmen with Olga Borodina and Mariss Jansons, Prokofiev's The Duenna, La forza del destino in Verdi's original version composed for the Mariinsky Theatre, The Gambler (a co-production with La Scala), and Prince Igor.
The 1996 White Nights Festival (June 20-30) will feature many of these new productions.
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The services of A Distant Light are available to all adult persons of good character, everywhere in the world. Our prospective foreign bride listings now number more than 37,000, representing some 60 nations.
Ladies are welcome to submit their profiles for publication, without charge, on our Web sites. Gentlemen who want to promote themselves to the ladies can publish their profiles in our magazine.
Note: Please be assured that the women featured here are not somehow less accessible than others. Each dear heart listed with our service wishes for a caring man to share her life. As such, you needn't hesitate to approach any of the ladies with whom you might be compatible.
A Distant Light Romance Tours by A Foreign Affair are extraordinary travel adventures. Beyond the excitement of exploring faraway places, imagine having a lovely woman like one of those featured here or one of many hundreds of other beautiful hearts as your companion and guide. Consider the possibility of her becoming a lifetime companion. This could happen for you!
If you don't have a special lady in mind to meet, where would you like to go exploring? To find which of our tours appeals to you most, begin at the Romance Tours Index. If you've chosen a foreign sweetheart who lives far from any of our Romance Tours destinations, or you prefer to meet independently, we can provide Travel Information to help facilitate your meeting.
As you know, children can be one of life's greatest rewards. Certainly, you shouldn't rule-out any prospective foreign bride just because she is childless, for together you could do something about that. But neither should you exclude her just because she already has children, for together you could form an instant family! That could benefit you in several ways. Consider having two, or more, foreign sweethearts.
An intercultural relationship may not be for everyone. Yet, if you will invest the necessary time, effort and money into a relationship, and be reasonably flexible, tolerant and patient, your chances of finding happiness with a foreign bride are good. Whichever path you choose, our wish for you is that your journey will be pleasant and that you will find, in life, everything that you seek.
Foreign Courtship Advice and Recommendations From the Editors of A Distant Light
Q: To a prospective foreign bride who doesn't specify an age preference, how much of an age difference might customarily be acceptable?
A: Surveys have shown that when considering age apart from other factors, 98 to 99 percent of single Ukrainian women and single Russian women seeking marriage would readily accept a partner as much as ten years their elder. The rate of such ready acceptance among women of the former Soviet Union declines to 50 percent as age disparity increases to 15 years.
In predominantly Buddhist cultures of the Far East, as for example in Thailand, elder persons are revered for their accumulated wisdom. So, some of the single Asian women seeking marriage, in particular, might accept or even welcome somewhat greater age disparities.
For an international introductions agency to promote so-called MayDecember romances might be good for business, in the short term, but would it be good for you? For the prospective foreign bride? Around here, we believe that what's best for business is the long-term success of your intercultural relationship. So, rather than encourage a fifty-year-old man to pursue, say, Colombian single women in their twenties, or a man of forty to chase single Latin women still in their teens, we would respectfully suggest that you listen to your own voice of reason and common sense.
If you don't fully recognize the value in this, you might find it helpful to read A Long Way to Go for a Date, by Henry Makow. The outcome of Mr. Makow's real-life personal adventure may surprise you. Find it listed under Foreign Bride Resources, below.)
A foreign sweetheart is more likely to become the foreign bride of a gentleman who demonstrates an interest in, and some knowledge of, her native culture. A Lonely Planet ® Travel Survival Kit (right sidebar) can be helpful. Besides the practical advice for travelers, they provide some historical background and discuss relevant social, political and economic aspects of modern society.
You can benefit from the experiences (both good and bad) of others, in the pursuit of intercultural relationships, by referring to these worthwhile additional foreign bride resources. And remember, at A Distant Light we're here to help! You can contact us by phone, fax, e-mail or postal mail, or visit us (no appointment is necessary during regular business hours) at any of the AFA offices worldwide.
And for an uplifting example of romance gone right, take time to enjoy the Web site of Jeffrey and Emelda Hollis. Screenwriter Jeff's engaging stories of courtship and marriage with Emelda (who is absolutely adorable) will touch your heart.
"Relationships are like Rome difficult to start out, incredible during the prosperity of the 'Golden Age' and unbearable during the fall. Then a new kingdom will come along and the whole process will repeat itself until you come across a kingdom, like Egypt, that thrives and continues to flourish. This kingdom will become your best friend, your soul mate and your love."
This popular American singer and songwriter of German and Brazilian descent is admired by generations of music lovers everywhere. Her name is practically synonymous with the bossa nova style of her native Brazil, and her endearing voice can be one of the most seductive on the planet. Yet, there is more to be said of this remarkable woman, of which you may have been unaware. She is also a talented graphic artist. Through sales of the reproductions and prints of her original artworks (which can make unforgettable gifts, especially when signed by the artist herself), she supports efforts to protect animals from mistreatment. Please see the charming (if, at times, necessarily intense) Web pages that have been created, with love, by this profoundly
beautiful human being,
[The Editors of A Distant Light are privileged to express our appreciation of Ms. Gilberto and her work. Ms. Gilberto is not a participant in our service.]